It seems the long break is somehow over. How? you wonder. Let me tell you: We were uncharacteristically going off-topic on my self-published books, pain or gain thread, when one of the contributors told us about and incident that happened a few years ago, when her husband was rushed to surgery in order to save his life. She said back then that she assured herself that she couldn't be a widow in her late twenties and that, if she'd be put in this situation again, she couldn't see herself loving another man again.We discussed the possibilities, the ethnics, etc. and, in the midst of all, WHAM! the muse found it necessary to slap me with that idea for a novel. Don't ask me why it had to happen now, but the muse kicks in your door
when you least expect it--just like love. They seem to find it funny to
smack you in the face when your head is busy with other things. Oh well. So, presented with that idea, I quickly threw together a rough story line: young wife loses her beloved husband and struggles with life on her own, missing him dearly. Everyone wants her to meet someone else, because she's too young to be alone, but she's made a promise on her wedding day. Friends and family are at the end of their tether as she pushes everyone away. That is until one man suddenly appears at her door step, remaining undeterred by her rudeness. Is he the one who can save her from herself?
After that, the story's still a bit thin. Since I've started to play around with the plot (yesterday), it has already changed at least three times. Of course, I have a few unexpected twists and turns, the last one will most possibly blow your socks off.
I've decided to keep track about the process as I go along, how much I change, how many scenes I've discarded, what's going on in my head when being creative. And, to give a few glimpses of the tone, I'll post excerpts regularly.
Please be aware that those are mainly unedited, copy and pasted as just typed. It may all change at some point.
Here's the opening:
After that, the story's still a bit thin. Since I've started to play around with the plot (yesterday), it has already changed at least three times. Of course, I have a few unexpected twists and turns, the last one will most possibly blow your socks off.
I've decided to keep track about the process as I go along, how much I change, how many scenes I've discarded, what's going on in my head when being creative. And, to give a few glimpses of the tone, I'll post excerpts regularly.
Please be aware that those are mainly unedited, copy and pasted as just typed. It may all change at some point.
One day in London |
Here's the opening:
When
the door bell rang, I hurriedly dried my hands and rushed to open; I
was expecting a parcel for my husband. John had been going on about
this book he had to have yet, typically him, never got round
to buying it. Tonight, I was going to surprise him at dinner.
Chuckling about my little ploy, I pulled the door open and my
thoughts changed direction rapidly. Two police officers nodded at me;
the woman swallowing hard, the man shuffling his feet.
'Mrs
Smith?' the woman asked.
'Yes.'
My answer came out more like a question.
'Could
we come in, please, there's something we need to tell you.'
I
could feel the blood draining from my face and my heart rate going
up. John! Oh my god, John. What happened? I
nodded, stepping aside to let them in.
Slowly, I closed the door as if to delay the moment of truth, they
didn't need to say anything, their faces had bad news written all
over them, unease defining their postures as they stood awkwardly in
our home.
'Please,'
I said, motioning them to make their way into the living room. 'Do
you want a tea?' I want to know what happened. I don't want
to know what happened! Please don't say it! Please don't tell me he's
dead! I was torn.
'Thank you, we just had lunch,' the male officer said. He wiped
something off his chest, then cleared his throat. 'Maybe you'd like
to take a seat, Mrs. Smith.' His colleague looked at him, then took a
step forward and with a calm voice she said, 'I'm so sorry, but we
have been called to a fatal accident. Your husband …'
The words were out, said, untakebackable, unreal. The man continued
what she couldn't spell out, and I listened without taking anything
in.
With
shaking hands, I grabbed my mobile from the table in front of me,
where I'd put it after talking to John. At exactly 11.06am, just
before he'd left to see the next client. John, who, according to
them, died on the scene, apparently not feeling any pain. Was that
supposed to comfort me? Why do people feel the need to say such
things?
'Mrs Smith, are you all right?'
'Yes, I-I-no. Do you need me to identify him?'
The
female officer shook her head. 'No. He had all the documents on him.'
I nodded. Of course he had. John was the type of person who carried
his passport and donor card everywhere. Just in case he'd had an
accident and someone needed to inform me that he's in hospital. If
only he were … Nobody could've possibly guessed that some day it
may become reality.
'Where is he?'
'They brought him to King's Cross.'
Again, I nodded. Heat rose in me and
I felt sick. My hand flew to my mouth as it hit me: John would not
come home tonight. Not tonight, not tomorrow, not ever! A sob fought
its way out and I lifted my head to meet the woman's eyes which were
brimming with sorrow. 'This can't be true,' I whispered.
'Do you want us to call someone? A friend, your mother?' She squatted
in front of me to put a hand on my arm.
'No, I think I just want to be alone right now.'
'Are you sure?'
'Yes, please.' Tears were blurring my vision. 'If you could see
yourselves out?'
'I'm not sure, Mrs Smith, it's a lot to take in. I'm not feeling
comfortable leaving you alone now.'
I sniffled, then took a deep breath. 'I just need a moment, then I'll
call our parents.'
'We can do that for you, if you like.'
'No, no,' I shook my head, 'I'd rather they hear it from me. We're
very close.'
A
minute later, I was dipped in silence. This silence, however, was
very different to any other I had experienced when I was on my own.
This silence made my thoughts sound like thunder, my sobs felt as if
they were ripping me into several parts. I sat here, staring at the
phone which my hand still grasped, the screen saver showing me and
John on our last holiday: happy and alive, with the future ahead of
us, and I finally let my tears run down my face and gather in my lap.
~~~~
I
could tell that Amy was at the end of her tether. The
way she almost slammed the mug onto the table in front of me was a
dead giveaway. On one hand, I
felt sorry for her, on the other hand, she didn't lose the love of
her life. Nobody could understand how it felt and despite knowing
that everyone just wanted to help me, I only longed for being left
alone. The constant pussyfooting around me, the way they looked at
me, as if I were someone who couldn't think for herself, the daily
calls and visits, the smothering with love, hugs, food, and questions
about my well-being; I've had enough of it. I
was in a pickle, though, they only meant well, and sending them away
would be rude. The only time I'd lost it was when Mum
wanted to change the bed covers, but I
wouldn't let her. When she
hadn't stopped pressing,
I'd thrown her out of my house. Nobody was to touch anything that had
John's scent on it. Not the sheets, not the towels in the bathroom,
not the jumper he'd carefully placed over the chair for the next day,
then not worn it, for it was unexpectedly warm, not his shower gel,
the cheap one I always teased him about, and not the thick coat with
the scarf tugged into one arm. No
matter how often I told him he should hang it on the hook, he never
did. Amazing how those habits
which caused us to quibble have now become something to cling on to.
'You know, I'm just trying to help, Elaine.'
'I
know,' I replied as I'd done countless times recently.
'Sweetie, it's been weeks, and I'm not saying you have no right to
grief, or that there's a time limit to it, but look at the state of
your house, let alone yourself. If you don't let us help, you'll end
up with rats and roaches all over the place.'
I shrugged. 'I'll do it later.'
'Yeah, you keep saying that.' Amy snorted.
'Don't do that!'
'Do what?'
'That disapproving sound.'
'Well, I disapprove.'
'I
said I'll do it later.' I got up from the chair, pulled the arms of
John's cardigan, which I'd removed from the laundry basket, down and
was about to leave the kitchen when the phone rang. John?
No, stupid, it's not him. John is dead! For
a moment Amy and I stared at each other, when I didn't move, she
sighed and answered it. It was my mother.
'I'm going to bed.' With that I turned and went upstairs, leaving the
tea untouched.
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